PDF Download Frankenstein Alive, Alive! #1 Regular Bernie Wrightson CoverFrom IDW
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Frankenstein Alive, Alive! #1 Regular Bernie Wrightson CoverFrom IDW
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- Sales Rank: #4375885 in Books
- Published on: 2012
- Binding: Unknown Binding
Most helpful customer reviews
3 of 3 people found the following review helpful.
Frankenstein Alive, Alive! #1 Review
By Art Van Kilmer
The skinny: Frankenstein #1 is very short but sweet, largely due to it's art. Fluff pads out the issue but it did enough to make me keep an eye out for #2.
Frankenstein Alive, Alive! #1 (IDW, May 2012) is frustratingly good. The art is gorgeous, gothic, and very appropriate for a new take on Frankenstein. It captures the mood quite well. The sketchy style reminds me of the recently-released Batman: Death by Design. This borrows one of that book's best features: sparse but well-used color.
The story is off to a slow start but does leave me with hints of curiosity. I like that it's told from Frankenstein's perspective. I'm not sure how long he'll be an even mildly relatable character but I do like his desperate beginnings. The problem is that issue 1 was over just as soon as the tale was beginning to hook me. So I went back to do a page count:
- 19 pages of story
- 3 pages of interview with the creator
- 6 pages of letters by Mary Wollstonecraft Shelley
That doesn't add up to 28 pages of joy, just 9 pages of feeling a bit cheated. The interview is definitely filler and the letters remind me of that issue of Batman by Grant Morrison that was 97% prose and 3% crappy art. I never did finish it. I likely won't finish these letters either. Shelley's writing is the source material for Frankenstein but her style has not aged well. I read the original book so I know I have the patience for it but still question if it's a worthwhile endeavor.
I'm not expecting every #1 to be like Saga with it's vast world-building, no ads, and high page count but this just feels too short to recommend unless you're really into the Frankenstein character. That said, the seeds planted in this issue will make me flip through #2 when I see it on the racks. But I'll check for the ratio of story to fluff next time.
P.S. According to CBR: "Each issue will also include supplemental materials, including interviews, essays and a serialization of the original prose story by Shelley." This material might be relevant but they certainly need to balance what's supplemental with what's original and necessary for a good comic book. Interviews and prose ain't it.
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P.P.S. Other neat reviews:
GeeksOfDoom.com - great perspective on the storytelling
[...]
IGN - interesting comparison to old-school horror and comics
[...]
1 of 1 people found the following review helpful.
It's alive!
By Amanda Pike
Oh, Bernie Wrightson, great God illustrator of classic Gothic Horror. Where can you go wrong with Bernie Wrightson? Back in 1983, out of sheer love of Mary Shelley's classic novel, Frankenstein, comic illustrator Bernie Wrightson made a fully illustrated edition of the classic novel (currently available on amazon). The illustrations are nearly exactly what Mary Shelley described save for a strange liberty in making the creature's nose look like the nose of a skeleton. This was not described in the original novel and I was never quite sure of the point behind it. Oh, well. Bernie did the job for free. A nice, hard cover reprint of this book with an introduction by horrior icon, Stephen King is currently available on Amazon for less than thirty dollars.
Bernie Wrightson was the illustrator for comic books for many years and even did the artwork for a Color the monster book back in the seventies. I used to have the color the monster book actually signed by Bernie. I bought it in Upstate New York. Now it has disappeared on me, probably accidentally thrown away by someone who did not realize what it was. He also did the art work for Stephen King's Cycle of the werewolf (made into the movie Silver Bullet) and Creepshow (also made into a movie).
Today Bernie Wrightson is working on a new project. A twelve part comic book series called Frankenstein: Alive, Alive! written by Steve Niles with artwork by Bernie Wrightson. This graphic novel is a brilliant sequel to Mary Shelley's Frankenstein. Despite being a comic book it is very true to how she wrote and how the characters behave and speak.
The very first volume includes insight into the mind of the creature and how he perceived his creator, the "arrogant" Victor Frankenstein. The story begins in 1920s Coney Island, which can make anyone nervous as this is where Andrew Lloyd Webber's questionable sequel to Phantom of the Opera, Love never Dies (despite the great song Beauty underneath) takes place, along with it's literary counterpart Phantom of Manhattan.
Frankenstein's Monster now lives as part of a freak show where he comfortably scares the Hell out of customers from the safety of the cloistered little troup of social outcasts. He flashes back to what happened at the end of Mary Shelley's novel, revealing what happened out on the ice and his own self-destructive yearning.
Volume 2 continues with this flashback allowing the create to meet and befriend a Victorian era scientist who takes pity on the creature and keeps him in his own home, giving him full access to his own knowledge and library. The creature is only reminded of his own monstrous form when the doctor's apparently sickly wife sees him and faints to the ground.
Volume 3 is not yet available but like with the artwork of the illustrated novel from thirty years ago the vivid and atmospheric illustrations really take you into the story. Steve Niles really understands the creature and the narrative flows like the original novel. I highly recommend this series for any fan of the Frankenstein creature.
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