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Elsa Morante’s Politics of Writing is a collected volume of twenty-one essays written by Morante specialists and international scholars. Essays gather attention on four broad critical topics, namely the relationship Morante entertained with the arts, cinema, theatre, and the visual arts; new critical approaches to her four novels; treatment of body and sexual politics; and Morante’s prophetic voice as it emerges in both her literary works and her essayistic writings. Essays focus on Elsa Morante’s strategies to address her wide disinterest (and contempt) for the Italian intellectual status quo of her time, regardless of its political side, while showing at once her own kind of ideological commitment. Further, contributors tackle the ways in which Morante’s writings shape classical oppositions such as engagement and enchantment with the world, sin and repentance, self-reflection, and corporality, as well as how her engagement in the visual arts, theatre, and cinematic adaptations of her works garner further perspectives to her stories and characters. Her works—particularly the novels Menzogna e sortilegio (House of Liars, 1948), La Storia: Romanzo (History: A Novel, 1974) and, more explicitly, Aracoeli (Aracoeli, 1982)—foreshadowed and advanced tenets and structures later affirmed by postmodernism, namely the fragmentation of narrative cells, rhizomatic narratives, lack of a linear temporal consistency, and meta- and self-reflective processes.
- Sales Rank: #3783600 in Books
- Published on: 2014-12-18
- Original language: English
- Number of items: 1
- Dimensions: 9.41" h x 1.05" w x 6.43" l, .0 pounds
- Binding: Hardcover
- 294 pages
Review
With this pioneering volume, Lucamante stimulates a postmodernist reading of the works of the canonical Italian writer Elsa Morante (1912–1985), especially her novels Menzogna e sortilegio (1948), La storia (1974), and Aracoeli (1982). The volume brings together international scholars and specialists with distinct backgrounds and diverse perspectives on Morante’s works and their adaptations (in cinema and in other visual arts). Lucamante organizes the 21 essays into four main parts: these focus on new approaches to the author’s works and related criticism, adaptations of Morante’s works, queer analysis, and Morante's critical essays. The book as a whole takes into consideration not only Morante’s published fictional texts and essays but also archived works now open to the public. Including analyses of the writer’s vision of history, the presence of Kafka in her writings, her conception of sexuality, her contribution to Rome’s intellectual life, and her artistic relationships with certain Italian intellectuals and philosophers, this volume is among the most comprehensive and interdisciplinary studies on Morante ever published. It will be of interest for Italian, gender, queer, and film adaptation studies as well as comparative literature. Summing Up: Highly recommended. Upper-division undergraduates through faculty. (CHOICE)
About the Author
Stefania Lucamante is professor of Italian at the Catholic University of America, Washington, DC.
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